Driving

Driving
Driving
He was forever driving
Day in
Day out
Into work
Off to the gym
Home
Driving
Circling the river
All the while
Listening to the radio
The all-knowing radio
The calm voices feeding facts
The all-encompassing facts
Arrayed in cultured accents
(Too few, Australian)
Day in
Day out
Driving
Listening

In the morning
The Highway
Hills and gumtrees
Used car yards and poor white houses
A morning world
Soft in sunlight
Shrugging off the veil of a dream
Hooded in a restless dew
So he wouldn’t always notice how squalid it was
How ugly

The traffic buzzing in parcels
The giant amber lights flashing
Massive trucks hauling containers
Off to distant depots
Lumbering up the hills
To glide down the slopes
Urban
Industrial
Poor

Then it was the morning news
An hour of politics and crime
Leading into the daily features
(Politics, politics everywhere.
Will it ever run out?)

Slip-waying onto the freeway
The whiz of the freeway
Or the whiz that was meant to be
But so often wasn’t
(Three into two doesn’t go)
The constipated crawl
A stop|start along the once
Beautiful foreshore
With the pelicans perched
On the floodlamps
Presiding mockingly
Over all the frustrated drivers
Like serene judges in a crowded court
Or poised high up
On the updraughts of warm air
Like hang-gliders
Equally white and still
In a hovering equilibrium
So unlike the constipated equilibrium
Of the congested freeway

All the while
All the way
All that talking
So much of it
Will they ever run out?
So much to say
So many opinions
Much more than you’d expect
From the program guide
Religion and books
Art and economics
And politics—like everything
Politics, politics everywhere
Overwhelmingly
All those half-truths wrapped in certainty
As if they were immutable
True
All those politicians
Feeding them half-truths
They’re so good at it
Is that what the world is now?
Conviction without doubt?
Where’s the real information?
The ambiguity that leads to knowledge
And understanding?
Truth?
Has that been drowned too in
This ocean of politics?

The curve onto the short bridge
The last release into the city
The gleaming city
Young and new-looking
With its glass and steel
Thrusting up into the sky
The light dancing off the towers
Some big
Some small
Some like they were only there
To sidle up to the others
So you could never quite
Comprehend their shape
Never define them
Monolithic
Ambiguous
As things in cities are meant to be
A place that completely subsumes you
Like an insect taking on the universe
But a sophisticated insect
Being it’s a city
No matter how provincial.

In the evening
Peak hour
Next to the railway line
The short run he’d miss
If he get away early enough
Or late
But which he often didn’t
And had to crawl along
Everyone wanting to turn against the traffic
Or with the traffic onto the short blocks
That were always filling up.

If early
Music
If late
More talking
Informed talking
In one of the few authentic accents
Though stuffed to the jowls
With moist gulps of air
So you’d think he might be drowning
Pompously

Before gym
Harried and taut
After
Glowing and relaxed
Though still sometimes aching in the chest
From a pain that would have to explode
Before he would think to have it diagnosed

The night drive home
At last
Toward the sea
The only one he loved
A beautiful drive through
The silver black silk
The calm voices
So smoothly slipping
Into the velvety darkness
Drifting in and out
Pacifically
The lights on the highway
Red and white
Dancing to a meandering rhythm
A right rhythm
A night rhythm
Lulled
By the glowing afterease of exercise

A swift drive
Uncluttered
Like the soft space
Gliding gently down into sleep
Soon crossing the high bridge
Looking down on the black water
With its reflected lights from
The old buildings on the left bank
The rowing club and bar
Red, white and green
Bouncing off the black water
Like a bowl of lapping oil
Thick and dark
Somehow brooding
All knowing
Soothing
Seen in flashes from the car
Speeding high over
The water running out to sea

And then
Home
In the apartment
Muted lamplight and dark corners
Home
In the hallway
Dumping his briefcase
Home
On the couch
Watching television

 

© Ian Lilburne 1997

Lethe

The train silently gliding into the station
The crisp morning air
The tired faces of the waiting workers
The stale taste of my morning’s first cigarette
Board
Shall I read?
No, look
Two gorgeous girls sit opposite
Sunlight strafing their hair
I sit and watch
Their cloistered conversation
Laughter and smiles

The train glides through suburban scenes
Houses
Shops
Banks of green flash by
Brilliant green under a soft felt sky
Station after station
Victorian red
Green to grey
Highways
Congestion
The final stop
Crowded exits
Vivid skirts ablur
The husky roar of a whistle somewhere

Pacing through the city
Footsteps in tune
Faces upon faces
Real and unreal
People
Mannequins
Photographs
The white arcade with its hollow echo
And escalators
The smell of freshly-baked bread
Movie ads
Fixed faces hurrying to the office
The Cathedral
Flashes of sunlight through stained glass
The ancient stone wall and its abundant garden

Walk on
Cross over
Amber light

My building
Enter the foyer
Queue at the lift
Other people come
We board together
The doors close
We rise and stop
The doors open
Two secretaries alight and turn left
The doors close
We rise and stop
The doors open
A solitary man in a bland suit
Alights and turns left
The doors close
We rise and stop
The doors open
A young woman
Blushing still from the crisp air
Alights and turns left
The doors close
We rise and stop
The doors open
I alight and turn left
Walk to the time clock
Punch in

 

© Ian Lilburne 1978

Splash

Splash
A big one this time
Diving in
Naked body buoyed by the
Blue
Bubbling
All-embracing pool
Breast stroking underwater
Butter flying above
Immersed
Free to move in this
River-running
Fun-loving
Life-giving stream

A far cry from my morning’s fantasy
Solitary hilltop
Hypnotic raindrop patter
Green moist leaf and lacelike dew
Encompassed world
Reaching only to the rain
Yet alike in alone
Yet this time a part
Ever so easily afloat

Bounding out to feel the now warm air
Goosefleshing
Inner-glowing
Rivulets running down my
Erstwhile ignored body
Ever so easily afloat on this
Warm rush of life
Ever so easily adrift on this
Onward flowing current
Ever so easily onward flowing
Ever so easily
Ever so

© Ian Lilburne 1980

Partisan

What we need is a revolution
A guerrilla war
Something to break
The easy complacency
Of Friday afternoons

We could be partisans
You and I
Fighting for our cell
Like the PLO
Or Patty Hurst
Ruthless and cool
You with your hair tied back
Holding a Kalashnikov
(Very punk)

Desperate lovers
Snatching moments of passion
Between sorties
Making out in evacuated factories
And abandoned farmhouses
Every fuck as if our last
(So romantic)

Perhaps it should be set in Europe
In spring?
Can’t you just picture the countryside
Still and green?
Us marching in soft sunlight
A motley band
Like gypsies
Or the French Underground
Living on the edge…

Anything but the easy complacency
Of these Friday afternoons

 

© Ian Lilburne 1978

Burn

Burn now cigarette
I want to watch your smoke
Eddy against my ceiling
I love the feathery tendrils
My breathing breaks
And your taste of death
Seems somehow real

© Ian Lilburne 1975

One Unnumbered

Out of necessity for one
Unnumbered
I’ve wandered
Through books and fantasies
In search
Like reading brail
Or listening to music
The echo only
Of wistful violins
Poised
So perfectly
On air

But then
Enraptured
I’ve raged
At volume ten
Through a
Wild
Bent
Night
Entered the maze
In its mystery
And pulled the thread
But not counted
The beast

 

© Ian Lilburne 1977

The Uncircling Spiral

A spiral uncircling in time
A spring unsprung
This mortal coil unravelled
Revealing the themes
That orbit inimically
Above and beyond
The tract of a life

 

© Ian Lilburne 2016

Mistaken Identities

1  CARY GRANT

Perfect hair
Perfect tan
The twentieth century’s
Leading Man

Retired thief
Accidental spy
Marketing man
Private eye

Complex look
Always the same
A cypher read
Many ways

A cultured accent
Mid Atlantic
A sexual riddle
Enigmatic

An elegant actor
An acrobat
A metrosexual
Soft-footed cat

Mistaken identity
Cash + Cary?
Mistaken identity
Five times married?

Cockney heart
Cosmopolitan soul
Constructed character
Never whole?

Suave + graceful
A feminine man
That perfect hair
That perfect tan

2  DAVID BOWIE

Perfect hair
Perfect tan
The twentieth century’s
Zeitgeist man

Shameless thief
Astute spy
Marketing man
Private guy

Complex look
Always new
A riddle read
In interview

A changing accent
The singer’s disguise
A sexual cypher
Worldly wise

An elegant actor
An acrobat
A metrosexual
Mime-versed cat

Mistaken identity
Chameleon
Mistaken identity
Comedian

Cockney heart
Cosmopolitan soul
Constructed character
Never whole?

The outsider we feel
We are inside
Sanctioning us
To be, not hide

Suave + graceful
A feminine man
That perfect hair
That perfect tan

 

© Ian Lilburne 2016